I know it sounds really irrelevant, but such trains of thoughts that often rail towards “conferences of strange” help a student develop innate comprehension of Design. The underlying point nudges one to make an attempt at contextualising his/her creation. Also, regardless of one’s attempt, the context exists and also exist the infinitesimal shifts in the aforementioned context. It’s the ability of one to justify and provide a sensible and/or senseless reason to these shifts that determines the intellectual positioning of one’s creation.
I know it sounds really irrelevant, but such trains of thoughts that often rail towards “conferences of strange” help a student develop innate comprehension of Design. The underlying point nudges one to make an attempt at contextualising his/her creation. Also, regardless of one’s attempt, the context exists and also exist the infinitesimal shifts in the aforementioned context. It’s the ability of one to justify and provide a sensible and/or senseless reason to these shifts that determines the intellectual positioning of one’s creation.
SIDDHA KANNUR
CREATIVE DIRECTOR, WRITER & ILLUSTRATOR
Museum of Typography International Poster Awards, 2019
Chania, Greece.
68 COUNTRIES, 700 ENTRIES and 10 WINNERS!
Siddha's Poster design on "Bridging the Typography Gap in India" becomes the 7th Winning entry in the world. Take a look at the poster and pictures from the Grand Opening Ceremony in Chania, Greece.
